Sorry, Baby (2025) Movie Review – Where to Watch Online
Eva Victor’s feature-length debut, Sorry, Baby (2025), isn’t just a movie—it’s a quiet revolution in how stories of trauma, friendship, and survival are told. A film that balances sardonic humor and tender sincerity, Sorry, Baby is a character-driven indie that refuses to settle for melodrama or simplicity. It’s quirky, poignant, and often uncomfortable in all the right ways.
From A24 Films, known for cultivating bold indie voices, this film is an intricate, unsettling, and moving exploration of what comes after a life-altering trauma. While not for everyone, its earnest performances and intelligent design make it one of the most compelling films of the year.
Plot Summary (No Major Spoilers)
Set in a quiet New England college town, Sorry, Baby follows Agnes (Eva Victor), a once-promising grad student who is now a newly tenured professor. Her quiet life is disrupted when an old friend, Lydie (Naomi Ackie), comes back into her orbit—with life-changing news.
As the film unfolds, it moves back and forth in time, revealing Agnes’s entangled past with her former professor Decker (Louis Cancelmi). The narrative is a slow-burn reckoning with a traumatic incident that has since defined much of her adult life, without consuming every detail of her existence. The film’s structure avoids traditional trauma storytelling, opting instead to show how life awkwardly continues—chapter by fragmented chapter.
Personal Review: A Thoughtful, Humanized Take
Watching Sorry, Baby felt like peeling back the layers of a wound you didn’t know you had. It’s tender and jarring, messy and elegant. I waited 48 hours after viewing to write this review—not because I didn’t know what I thought, but because I wanted to feel it fully.
What struck me most was Eva Victor’s ability to use humor as both a mask and a scalpel. Their dialogue, tinged with the dry awkwardness of millennial vernacular, balances levity and emotional gravity with surgical precision. Think Fleabag, but with the pacing of Past Lives.
Agnes is no tragic caricature. She’s real, flawed, sharp, and trying—trying to live, to laugh, to not fall apart. Victor’s portrayal of her feels lived-in, not performed. Naomi Ackie is the perfect counterbalance as Lydie—effortlessly warm, supportive, and authentic.
The long takes and wide shots serve not just aesthetic beauty but emotional function. Lingering on Agnes in her home, the camera emphasizes isolation, disassociation, and slow-burning tension—especially before the “Bad Thing” becomes clear.
And yes, John Carroll Lynch appears, not as a killer, but as a soft presence. That alone is worth your time.
Themes and Tone: Not Just a Trauma Story
While the film centers on the aftermath of sexual assault, it isn’t “about” that event alone. It’s about the after. How people laugh again. How they stumble through new relationships. How they smile through conversations with people who don’t understand. How they keep sandwiches wrapped with memories.
There’s a sequence involving a sandwich and a chance encounter that nearly made me cry—because it was mundane and magical at once. That’s the quiet brilliance of this film. It finds the extraordinary in the everyday.
Yes, the tone swings between quirk and devastation—at times almost twee. But it works. It reflects how trauma and healing don’t unfold linearly. Sometimes it’s heartbreak, sometimes it’s jokes about sweater vests. Sometimes it’s crushing a mouse in your bed and not knowing what it means.
Cinematic Craft: A24’s Touch
With Mia Cioffi Henry’s rustic cinematography, Emily Constantino’s cozy costuming, and Lia Ouyang Rusli’s delicate score, the film wraps you in a fog of emotions and aesthetics that feel both lived-in and heightened. The film’s setting—chilly yet charming—mirrors Agnes’s internal world.
Barry Jenkins and Pastel’s involvement in production is no surprise. Sorry, Baby shares his trademark touch: compassion. That’s the film’s heart. It’s made with care, patience, and empathy, and it shows in every frame.
Where to Watch Sorry, Baby (2025)
Streaming availability (as of June 2025):
As of writing this article, Sorry, Baby is not yet available on streaming platforms. However, based on A24’s distribution trends, here’s where you’re most likely to find it soon:
Streaming Platforms (Predicted)
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Max (A24 has an ongoing deal for post-theatrical releases)
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Showtime / Paramount+ (previous A24 indies like After Yang landed here)
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Hulu (if the Max deal lapses)
Stay up to date here:
👉 Check JustWatch for availability
Rental/Purchase Options (Coming Soon)
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Amazon Prime Video
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Apple TV
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Google Play
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YouTube Movies
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Vudu
These platforms typically offer A24 titles for digital rental or purchase within 2–3 months of theatrical release. We anticipate Sorry, Baby will be available in late summer or early fall 2025.
Official site:
👉 Visit A24’s official page for Sorry, Baby
Final Thoughts: Why This Movie Matters
Not every film has to be grand or conclusive. Sometimes, the most impactful stories are the ones that sit with you quietly and ask you to feel something complicated. Sorry, Baby does exactly that. It’s funny, tragic, and wise. It’s millennial, yes—but in the best way. Self-aware, emotionally intelligent, and deeply human.
Eva Victor doesn’t just write or direct. They communicate. With precision, with humor, with compassion. This is an astonishing debut, reminiscent of Celine Song’s Past Lives. And if it’s any indication of what Victor’s future holds, we’re witnessing the rise of a major talent.
Share Your Experience
Have you seen Sorry, Baby? What did you take away from Agnes’s story? Let us know in the comments below—and don’t forget to check streaming availability as it becomes live.
Bookmark this page and keep an eye on JustWatch to see where Sorry, Baby lands next.
